Laura Biagiotti Fall Winter 2025/26

Queen of Cashmere
Piccolo Teatro Grassi

25 years after the magic circle of the Piccolo Teatro Studio, the historic venue of Laura Biagiotti’s fashion show, we return to the perfect Cloister of Via Rovello, which Ludovico il Moro adorned to be made a gift to Cecilia Gallerani, portrayed by Leonardo Da Vinci in his famous Dama con l’Ermellino (Lady with an Ermine).
A place where intellectual entertainment, concerts, and parties attracted the elite of the city. With this choice, we would like to remember ‘the salon of Milan,’ not only of those distant years, but also the deep bond that the Biagiotti family and Group have always had with the institution of the Piccolo Teatro and with its people. And it is with gratitude that we gently and respectfully bring our creative vision into this highly evocative context.

We have entitled the Laura Biagiotti Autumn/Winter 25/26 collection ‘Queen of Cashmere’, a title given by Bernardine Morris, the legendary columnist of the New York Times, to my mother Laura and our brand for excellence and experimentation in the processing of this yarn. The collection is the result of an intense research process in the shapes and craftsmanship of precious materials, particularly cashmere, which is the Collection’s main focus: from the paisley pattern prints to the cashmere double coats, to embroideries, and of course to this precious yarn, which is presented in countless versions. The 3D effect jacquard with lurex reproduces the cashmere design, with ample, enveloping, and princely volumes.

In our philosophy, it is never the body that adapts to the garment, but the garment that adapts to the body: the new ribbing is made from multiple yarns: mohair, cashmere, and cashmere and silk. The shape emphasizes the silhouette, which is comfortable because there is no constriction in the knitwear, but great freedom of movement. The maxi-braids define the garment with buttons, a true passepartout, and they unravel to become knots with a sculpted and threedimensional effect.
The symphony of natural hues rises in a crescendo of autumn for coats, skirts, and trousers in silky double fabric. The palm of cashmere becomes a unique and precious handmade embroidery. The Renaissance lines and duchess dresses are inspired by the princely wardrobe of Cecilia Gallerani.
The palette opens with Biagiotti white combined with deep brown, extends through all shades of natural from alabaster to beige, is illuminated by flashes of pink from Tea to Sherry, and softens in coats and suits of Arctic Blue and sugar paper cashmere. The harshest winter is faced with ‘fur’ made of cashmere in its version with ring fringes, or with eco-fur in cashmere tones.

The ‘Queen of Cashmere’ style is also defined by the accessories. The iconic LB Bag, with the logo reproduced on the handle, comes in three versions: mini with light embroidery, demi in leather in the season’s colors, and maxi in Biagiotti white. Silk scarves are tied in the hair, highlighted by earrings that reproduce the logo. Light shades veil the gaze in the new glasses. Satin and nappa leather pumps, ballerinas and flats with a Renaissance profile complete the Collection’s accessories.
As the great Maestro Giorgio Strehler wrote: ‘We reconstruct magic on a stage, thus we tell stories, but stories so filled with reality and awareness, that they transform by enchantment into real life. This is the game we want to play with you.”

Lavinia Biagiotti Cigna

HAIR ROBERTA BELLAZZI @TheAgencyAldoCoppola using L’Oréal Professionnel | MAKE-UP CRISTIANA CECCARELLI @TheAgencyAldoCoppola | NAILS @TheAgencyAldoCoppola

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